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ClanDestine Classic  2008 (HC) 300 pages

Written and drawn by Alan Davis. Inked by Mark Farmer.
Colours:Helen Nally, others. Letters: Pat Prentice. Editor: Paul Neary, Bon Harras.

Reprinting: Clandestine (1st series) #1-8, X-Men & Clandestine #1-2, and the Clandestine story from Marvel Comics Presents 158 (1994-1996)

Rating: * * * * 1/2 (out of 5)

Additional notes: cover gallery; character sketches; afterward by Davis

Number of readings: 2

Published by Marvel Comics

These issues (minus, I think, the Marvel Comics Presents short) were previously collected as the TPB, Clandestine vs. the X-Men.

Alan Davis started out an artist, then became a writer/artist. But Clandestine was, I believe, his first wholly original, self-created series. And its short, erratic life is perhaps an illustration of the vagaries of comic book publishing.

After doing eight issues, Davis left because of "creative differences" with the Marvel brass, and a new creative team took over...and according to some commentaries I've read, to unsatisfying effect -- and it was cancelled just four issues later. Yet can we really blame the new creative team for the cancellation? Or was the root of the "creative differences" between Davis and Marvel that Clandestine wasn't selling well to begin with? Still, within a year of Davis' departure, fences must've been mended one way or another (looking at the credits, at the very least there was an editorial shake up at Marvel) and Davis was back, reviving Clandestine with a two-part mini-series teaming them with the ever popular X-Men. Though since the characters didn't get another revival for almost a decade, it implies that even with Davis at the helm, Clandestine wasn't proving a runaway hit.

And, sure, there's nothing really that stand out or extraordinary about the series.

So why is it so darn enjoyable?

Even the opening concept isn't really that fresh, as it begins with seeming unconnected people in different parts of the world being targeted and attacked by mysterious killers -- leading to the revelation that the "seeming unconnected" people are, in fact, connected, and themselves are mysterious enigmas. Even as I was reading this, I came across another story with a similar opening (though, funnily enough, I can't now recall what that story was!) But maybe that's a mark of Davis' success. Because even knowing it's not necessarily that unusual, Davis keeps it interesting and entertaining.

Davis throws a lot of questions and mysteries at us, not just who are these mysterious people, but who are their mysterious attackers (who clearly aren't human) and what do they want -- constantly demanding to know where the Gryphon is!

As the story unfolds, we learn all these "unconnected" people are part of the same secretive Destine family (get it: the Destine Clan...ClanDestine?), all of whom have different super powers. Think of it as the Inhumans, except an extended British family as opposed to an entire colony. Our "intro" to the family is Rory and Pandora, two youngsters who know nothing of their family's secret and, having manifested super powers, do what any comic book obsessed young person would do -- decide they have an obligation to become crime fighting super heroes! They are then shocked to learn that not only do all the members of their family have powers, but the familial relationships aren't what they had been told. And the other family members are shocked to discover, after centuries of living quiet, below-the-radar lives...young Rory and Pandora are sneaking out at night in garish costumes, jeopardizing the family's treasured anonymity.

Part of the appeal is that though mainly a drama, there's a lightness and some gentle comedy in the telling, a quirkiness to the characters and their interaction, and a playing with conventions that is quite appealing. By having the clan be -- for the most part -- decent people, willing to do the right thing, but not interested in becoming costumed crimefighters, it makes for believable, reluctant heroes. And though some of the powers are stock, others are off-beat, exploring the negative as well as the positive of such abilities -- such as a member with super senses, who needs to relax by periodically retreating to a sensory deprivation chamber, or who can lapse into a kind of ecstatic coma by eating a single bite of chocolate.

I'd commented in a couple of other Davis-written efforts that his dialogue was okay, but mainly workmanlike. But here he does a nice job with the interaction, and with nuanced, fairly rounded personalities. The kids, Rory and Pandora, could easily be cloying or annoying (or push the story in a "kiddie" direction), but aren't and don't. Since aimed at the American market, Clandestine isn't perhaps as conspicuously British as some other British-set comics. That is, it is set in England, but Davis doesn't try over much to employ a distinctly English milieu or colloquialisms -- which is too bad.

And in addition to a nice feel for the personalities, the sense of family dynamics, Davis also brings his art to the table. Davis is definitely what's known as a fan favourite in comicdom, with realistic, well rendered faces and figures, a robust, dramatic style, and a tendency toward idealism -- the men are muscular, the women implausibly buxom. Yet he's capable of giving the characters quirky individualism. Rory and Pandora look like youngsters (pre-teens) while another family member seems intended to evoke...Woody Allen. I've said before that Davis' style puts me in mind of the late, great Don Newton, or sometimes Neal Adams...pretty lofty company (in my opinion). I've also suggested that I can sometimes be mixed on him. Oh, he's never less than good. But sometimes it can be a little too polished, or bland. Among his best work was his 1980s Captain Britain art. But this, too, is Davis at the top of his game. Maybe working on his own creations set a fire under him. Or maybe, because they are his creations, his illustrations can't help but be the definitive visuals for the series.

After the initial four-issue story arc is resolved, a few more issues ensue, filling in some of the origin and history of the (long lived) family (although I'm not sure I fully grasped how the siblings could be of such radically different ages), tossing in an adventure or two, and guest appearances from Spider-Man, as well as smaller appearances by the Silver Surfer, Dr. Strange and, in flashback, the world war II era super hero team, the Invaders. I sometimes grumble about new series that feel a need to toss in high profile guest stars (or are pressured to by editors) -- presumably to boost sales. But at least here Davis saves them for after the the first story arc -- letting the clan establish itself on its own first. As well, the guest stars seem reasonably logical for the scenes in which they appear.

Then came Davis' departure. But even if threads were left dangling -- a mysterious organization that was a looming threat and with a few questions about their origins that needed clarifying -- and avenues left unexplored -- being an extended family, Davis presumably intended to add other family members as needed -- he doesn't leave in mid cliffhanger or anything. Issue #8 is a reasonable end to his quirky run.

This collection finishes with Davis' return just a few months later, with the X-Men and Clandestine mini-series (two 48 pages issues!). Davis cheekily dismisses those four issues he didn't write by having Rory refer to them as being a dream he had. I had assumed the mini-series was an opportunity to wrap up dangling threads. But that turns out not to be the case, the story just a relatively isolated story of the ClanDestine and the X-Men getting involved in an ancient demon's attempt to breach our dimension, leading to misunderstanding and conflict. The story can get a bit muddled -- deliberately so -- in its misdirection and things-aren't-quite-what-they-seem, but is an enjoyable puzzler. Though even by this point, the X-Men had such an expanded roster, some of the team are just filling up the background. But Davis wisely keeps the focus on a few central team members. It isn't anything exceptional -- and at 96 pages, is mayhap a bit thin, plot-wise. At the same time, it's decently paced, providing a variety of scenes (some action, some character, some comedy) to make use of the ensemble cast (as opposed to just cramming everyone into the same panels, or simply stretching out a fight for 96 pages). And neither is it a disappointment in the context of the earlier issues, still being eminently enjoyable, still boasting a few quirky ideas, clever twists, and attention to characterization -- of Clan Destine and X-folk alike.

I started out this review suggesting I'm not sure of the series' commercial success, even with Davis at the helm. Clearly Marvel sees it as having cult potential, having published a second Davis produced mini-series in 2008 and having released all these 1990s comics -- twice! First as a 1997 TPB, Clandestine vs. the X-Men, and now as a snazzy, hardcover, Clandestine Classic. Yet just as short lived TV series can maybe find a second life as a DVD collection, so two can failed comics. Whether ClanDestine could've sustained a hundred issues, or whether its appeal here is precisely that it's a tantalizing glimpse of a series that could've been, the fact is this is a highly entertaining collection. It's beautifully illustrated, with quirky, well considered characters and dilemmas. And if a few threads are left dangling, enough is answered and resolved that it does satisfy as a self-contained collection...and as an enjoyable volume to have on the shelf.

"Classic"?...just maybe.

Original cover price: $ __ CDN/ $29.99 USA 

Clandestine vs. The X-Men
pretty much the same contents were re-released as the hardcover Clandestine Classic

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