
BY SCOTT H. URBAN
About the author
I . . . deserve the worst torture your power can create.
You do. But if you were offered the chance to
return to the world of the
living . . . to try to atone for some of the misery
you've caused. . . would you?
Yes.
Would you return . . . even if it brought you only more misery and pain?
Your will . . . not mine.
* * *
HE
COULDN'T HELP RECOILING.
Edward Bleak knew he occupied the body of a dead man,
but actually seeing his reflection in the store-front window was shocking.
The contorted expression of rigor mortis--the pasty flesh beneath a smeared
layer of dirt--the tattered burial suit--it was an image out of his worst
nightmare. He had seen B-horror movies in which gape-mouthed zombies
chased terrified heroines--and he had laughed. I never dreamed
there was a chance I would actually become one of those shuffling monstrosities!
As he took a backward step, he bumped into someone. "Hello,
my boy-o, watch yer step there!"
Bleak dropped his head and hunched his shoulders. He didn't
want anyone to see this face.
The newcomer stepped around to get a better look at him.
Curse the luck! A beat cop!
"Here now, laddy, are you all right?" The stout,
blustery cop was swinging his nightstick and trying to lean in to get a
closer look at Bleak. "Had a little too many swallows of stout?"
Bleak shook his head and took a step away from the cop,
trying to make an unobtrusive get-away.
"Hold it there a second. I want a better look at
you. There're a couple a' McGuffins what I need to talk to for the
trouble they're making in town. You wouldn't happen to know about
any of that, now, would you?"
Bleak felt the nightstick shaft drop on his shoulder.
He wants to talk! I can't let him see me like this--even Paddy'll
know there's something wrong with me! He stopped and started
to turn toward the policeman. . . .
Then threw his weight in the opposite direction and tried
to run down the sidewalk. The best he could manage was a quick shamble,
the left foot awkwardly dragging behind.
"Here now! That'll be enough of that!" The
cop ran up and clapped a hand on Bleak's shoulder, spinning him around
and turning his face into the streetlight.
"Holy mither of God!" Even the bull was taken
aback by his appearance. "What happened to you, man?"
Bleak brought his hands up to try to hide his face. He
knew he looked worse than that hideous creation in the James Whale Frankenstein
movie.
The cop had a hand on his begrimed coat lapel. "What's
your name, boy-o?"
Bleak opened and closed his mouth. He didn't know
whether or not he could make this body talk yet. Dead men tell
no tales, he remembered. He tried to gulp air into his lungs
and then expel it through the corpse's vocal cords. He succeeded
in making a grotesque "urp"-ing sound.
"Ah, you're drunk as my mither on a Saturday night," said
the bull. "And you've been out rolling in a field somewheres.
A nice long sleep in the tank will do you a world of good."
No! I can't be run in!
Bleak knew that eventually someone would notice he resembled a man who
ought to be dead--a man who nevertheless was walking on his own. He'd be
inspected, and possibly dissected--and he wouldn't be able to complete
his mission.
Bleak grabbed the cop's right wrist with his left hand
and squeezed. The cop gasped in surprise and pain. "Now you
better be lettin' go of my arm!" Paddy raised his left arm and brought
the nightstick down on the side of Bleak's skull. Bleak felt the
impact, but there was no accompanying pain. He brought his fingers
together, and there was a stomach-wrenching pop in the officer's wrist.
He squealed in agony as his legs gave out.
Bleak spun and tried to run away. The cop managed
to draw his gun with his left hand. "Stop right where you are, laddy-o!"
Bleak ignored the warning. Two ear-splitting reports rang out.
First Bleak's shoulder, then his leg, kicked out ahead of the rest of his
body, dropping him to the pavement. All of the sudden he was looking
at the tips of skyscrapers rather than the sidewalk. It took him
a second to realize he'd been hit, twice.
He levered himself upright. An alley led between
two storefronts. He leaped into it, realizing his control of Roger
McCutcheon's body was increasing as he spent more time inside it.
"No!" he heard the cop shouting. "No, you did not
just get up after I put two rounds in you! You get back here!
I got some bones I want to take out of your body!"
Bleak shuffled down the length of the alley, hopping over
piles of trash and debris. He heard sirens wailing in the distance,
and he prayed they weren't meant for him. He hadn't wanted to hurt
the innocent policeman, but at the same time he couldn't let himself be
detained. How could I explain a dead man walking around--and the
fact that I'm not even that dead man?
He tried to put some distance between himself and the
injured officer. He crossed several avenues, ignoring the quizzical
stares of late passersby. I have to get cleaned up somewhere.
I can't accomplish anything looking like . . . like I crawled out of a
grave.
As he was heading down his fourth or fifth alley, he saw
a flight of stairs leading down to a door just below street level.
A basement apartment. The door was open and light spread up
into the alley. Bleak heard rough voices and coarse laughter coming
from inside. He crept down the stairs as quietly as he could.
Peering around the doorjamb, he saw four men in threadbare slacks and workshirts
playing poker around a rickety folding table. Beer cans littered
the floor, while cigarette smoke drifted like spirits reluctant to fly
away.
By this time Bleak realized the horrifying aspect he presented.
He drew the cemetery night watchman's gun from his pocket. He hurled
himself against the door, nearly splitting it in half, then threw himself
into the room. He waved the gun in mid-air and managed to make a
croaking sound that emerged sounding close to, "Out!"
The four card-players shot up as if they'd sat down in
electric chairs. "Jeezus!" shouted
one. "Take it all; it's yours!"
cried another. "Don't shoot, don't shoot!" pleaded the third, his
arms over his head.
Bleak waved the barrel in the direction of the door, and
an instant later he was the apartment's only occupant. Cards were
scattered across the table and the floor. Silver change and small
bills were piled in the center. A radio against the far wall played
Benny Goodman.
Bleak crossed to the door, shut and locked it. He
took off his suit coat and sat in one of the four chairs. Peeling
his shirt back, he found the first bullet had passed through the meaty
part of his shoulder. The second bullet had entered his thigh and
still seemed to be lodged somewhere in the flesh. Bleak couldn't
feel it. The entrance and exit wounds were round, dark pits--no fluid
flowed from them.
What . . . what has happened to me?
Bleak longed to cry out loud.
He felt no pain, and his body couldn't get tired. But
his thoughts and emotions were strained, at their limits. Edward
Bleak, inside the body of a man dead and buried, put his head down on folded
arms and let the darkness close around him.